Showing posts with label fairy tales. Show all posts
Showing posts with label fairy tales. Show all posts

Friday, September 20, 2013

ARTICLES: Fairy Tale Class, Unsatisfying Princes, Dancing in Red Hot Shoes, a Fairy Tale Conference, and Fairy Tale Fiction Initiatives!

There has been a lot of juicy fairy tale analysis and scholarship while I was gone! Here are a few meaty tidbits to sink your teeth into.


USF offers it's First MOOC (Massive Open Online Course) in Fairy Tales
At last, you don't need a bagillion dollars to take a college course in fairy tales!  The course is called "Fairy Tales: Origins and Evolution of Princess Stories" will be taught by professor Kevin Yee. Unfortunately, it already began, and we all missed it, but hopefully it bodes well for things to come. You can follow some of the work on Once Upon a Blog. InkGypsy took the course and is providing summaries and thoughts on each of the weeks! Here is her summery of Week 1 - Cinderella (Part 1) which has some really beautiful and insightful reflections from her classmates. Part 2 examine's Disney's Cinderella and it's contribution to the genre. Look for more soon!

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The Ending of Cocteau's La Belle et La Bete, and Disney's Beauty and the Beast is Supposed to be Disappointing. 
Once Upon a Blog discovered that, apparently, Cocteau meant for the transformation of the Beast into the prince to be disappointing in his highly influential La Belle et La Bete. He stated in an essay, "My aim would be to make the Beast so human, so sympathetic, so superior to men, that his transformation into Prince Charming would come as a terrible blow to Beauty, condemning her to a humdrum marriage and a future that I summed up in that last sentence of all fairy tales: ‘And they had many children.’” This is emphasized by the fact that the same actor played the transformed beast and the unwanted suitor at the beginning of the film.

Glen Keane, supervising animator for Disney's Beauty and the Beast, who referred to Cocteau's film for inspiration, agreed. "I never referred to him as anything but Beast,’ he answered. ‘To me he’s always been Beast. I always just believed that Belle called him Beast from the moment that he transformed… so whatever his name was before is not important because he was called Beast after that.’ Keane also went on to add, ‘matter of fact, when he changed into the prince, I knew everybody was going to be disappointed by that, because they fall in love with the beast’"

Truth.

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Once Upon a Blog, yet again, great scholar that she is, has researched the history of Snow White's cruel ending, where the evil stepmother is forced to dance in red hot shoes. Check out the link to see the historical torture device that may have inspired her fate. (I always think of this fantastic monologue when I read about the red hot shoes.)

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This year's American Folklore Society Conference is focusing on Fairy Tales! It is in Rhode Island from Oct 16-19th if you want to go. Really interesting topics. Click the link to find out more on SurLaLune.

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There are also two really exciting initiatives by my fellow fairy tale bloggers. First, Diamonds and Toads has launched Timeless Tales magazine! Each issue focuses on retelling of a specific fairy tale. She also includes a recording of the tale so you can listen to it. 

Something to Read for the Train has launched a similar, but more personal, initiative, A Grimm Project, where she is using each of the 242 Grimm tales as a prompt for her own creative writing! 

Monday, July 8, 2013

Fairy Tale Roundup: Disney's The Beast, New Frozen Trailer and Culturally Diverse Fan Art, NEW FABLES VIDEO GAME, and Fairy Tale Scholarship

by Anne Lebovitz

Disney's The Beast Movie
Yes, folks. ANOTHER Beauty and the Beast movie. Once Upon a Blog is amazing as always, catching us up to the 3 Beauty and the Beast adaptations either currently running or in the works. This version focuses on the Beast (obviously). It is live-action, and supposedly a "darker" retelling, but honestly, how dark will Disney go? But it apparently has a few good things going on for it! Click the link to find out! I honestly hope that they try something new, rather than create a live action version of the animated feature from a different POV. No yellow dress, no talking furniture, no inventor father. I'd love it if they did an adaptation of Donna Jo Napoli's book Beast, but it doesn't look like that is happening.

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By weepingrockrock
REAL Frozen trailer
Well, an international Frozen trailer is here, and it looks slightly better than the Moose and Snowman Comedy Hour. I am a little disappointed with the Rapunzel look-alike, though I LOVE that the community is speaking out, creating their own ethnically diverse versions of the hero and heroine. Perhaps Disney will listen, and make better choices in the future. (Click the link for the pics Once Upon a Blog's aggregation of the controversy!)



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Telltale Games (who brought us Monkey Island and The Walking Dead episodic animated games) brings us a Fables video game, called The Wolf Among Us, set before the Fables comic book series begins. Ichabod Crane is deputy mayor, and the story follows our beloved Bigby as sheriff investigating a murder. AND [SPOILERS] you get to see stirrings of his feelings for Snow White. It seems to be very character driven, and the choices that the player makes will lead you down different paths. The creators say the game is different each time you play it. There will be fights, but they will all be narratively motivated. And actions have consequences: if you take too many punches, you will be bloody and bruised. If you pick too many fights, it might effect your relationships with those you care about. The art is also stunning! The lead writer, Pierre Shorette, has immersed himself in the world of Fables, making the art his computer background, even digging into the original fairy tales that inspired the characters. SO EXCITED! (Also, Once Upon a Blog speculates about the Fables movie)

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And now for a little meat and potatoes after the wonderful pop culture confectionery delights above. Tales of Faerie, a brilliant and scholarly mind as always, has compiled for us a list of different ways to examine fairy tales: Fairy tales as myth, psychoanalytical, gender politics, structural, collective unconscious (Jungian), etc. Though I am surprised that it did not include anthropological, the study of fairy tales as they related to the time and place they were told?

Monday, June 10, 2013

Fairy Tale Roundup: NPR's Ted Radio Hour Explores Storytelling, Vincent Cassell's Beauty and the Beast Movie, Bluebeard and Rape Culture, and a One Thousand and One Nights Adaptation

“Barbe Bleue” by Sorsha

NPR's Ted Radio Hour: Framing the Story
While this is not strictly about fairy tales, NPR's Ted Radio Hour is amazing. This one has several Ted talkers exploring what a story is, how to tell a story, and what is important for a story. Andrew Stanton (the main writer for Pixar), discusses what makes a good story. Tracy Chevalier (writer of Girl with the Pearl Earring) tells how she finds a story in an image. Chip Kidd (book cover creator - Jurassic Park and others) talks about how book covers tell their own story. Chimamanda Adichie (Nigerian author) elegantly examines the dangers of s single story (hearing one story about a place or a person and thinking it is the whole picture (my favorite!)

First Look at Christophe Gans' Beauty & the Beast: "I'll Eat You Up I Love You So"
Once Upon a Blog gives us a first glimpse of the crazy sounding Christophe Gans' Beauty and the Beast. This is the one with Vincent Cassel, not the Disney one with Emma Watson. The image and costumes look traditional, and not very revolutionary, but Gans promises to "surprise the audience by creating a completely new visual universe never experienced before and produce images of an unparalleled quality." It is adapted from the original novella written by Madame de Villeneuve in 1740, rather than the children's version published in 1760. While many novel adaptations have used the novella as inspiration (Beauty by Robin McKinley), apparently this is the first time it has been adapted for the screen. Check out the link for some insightful thoughts from Gypsy.

Of Keys & Bluebeards
Gypsy of Once Upon a Blog reflects on a blog post from by fantasy writer and fairy tale lecturer Theodora Goss, "On Bluebeard" on how men and women will often perceive situations differently. What men may perceive as an easy conversation, women may perceive as a potential threat. Gypsy examines the post in the larger cultural context, and then looks at the situation through the lens of fairy tales:
"Girls and women are taught from an early age to be cautious: "Stay on the path", "Don't talk to strangers" and, unfortunately, this is still the smart thing to do. "Wolves" are bad enough. "Bluebeards" (and Mr. Fox characters) are downright terrifying." 
Not all women may feel this way, but in our current cultural climate, I would not blame them if they did. Walking home late at night, I have often looked at the man following me from the metro as a potential threat, even if he looks like a nice guy. You never want to be wrong. It is unfortunate that fear has made women adopt a "Better Safe than Sorry" stance. Even more unfortunate that Bluebeard and Little Red Riding Hood are still very relevant today.

EDIT: Heidi at SurLaLune has added to the conversation and provided several Bluebeard resources for further reading.

Scheherazade: From Storytelling 'Slave' To 'First Feminist'
To end this on a positive note, here is an NPR interview with Hanan al-Shaykh who has written a new adaptation of One Thousand and One Nights, in which Scheherazade outwits her own Bluebeard figure, the king. The stories she chose to adapt involve women using their wits to survive.

Friday, May 31, 2013

Fairy Tale Roundup: New Fairy Tale Fiction, Why Fairies Suck, and OUAT Trivia


Upcoming Fairy Tale Fiction
SurLaLune is frikkin amazing and has kindly created two Listmania lists of the 55 (count them, 55!) new fairy tale fiction books coming out this year, including Rump: The True Story of Rumplestiltskin, Stung (a post apocalyptic Sleeping Beauty), Cold Spell (a modern retelling of Snow Queen), and The Grimm Conclusion (the new Adam Gidwitz book!)  Apparently the biggest upcoming trend is Snow Queen, which gives me a happy. She will continue to add to the lists as more books come out, so keep an eye on it!

The Biggest Reasons Why Fairies are Evil
Io9 debunks the myth that fairies are benevolent creatures by looking at their fairly awful track record of stealing and selling souls, drowning people, kidnapping the womens and marrying them or making them serve as nurses for their children, the famous "seduce and destroy" maneuver, stealing babies and murdering children, disproportionate revenge, and enslavement. Don't forget to leave your fairy milk out as tribute, or you will be in a world of trouble.

OUAT Trivia
A new tumlbr has emerged called OUAT Trivias with 100 fun facts about the show and fairy tales related to the show. It hasn't been updated in a bit, but I highly encourage looking at the trivia they have. Some are a bit obvious and some are a stretch, but others are interesting, like:

 #91 "The book that Ruby gives Belle in "Tiny," The Mysterious Island, is the same book Mary Margaret Blanchard reads in "7:15am," a reference to Lost."

#67 "In the scene at Lake Nostos were Lancelot is on bended knee, he utters the words "God in his mercy, lend her grace," which is a direct reference to the Tennyson poem, Lady of Shallott. In the poem, the Lady of Shallott is cursed after trying to look at Lancelot directly, and dies as a result. Lancelot sees her dead body floating down a river, and says these words not knowing that he caused her death."

#62 "Regina calls her horse by the name Rocinate, which is the name of Don Quixote's horse."

One of them tells of the other "missing people" on the post-curse-breaking notice board, including Pierre Abelard (a medieval philosopher), and characters from Midsummer! Pretty fun stuff!

I am unsure now whether or not to do a final few episodes of OUAT review. Is it too late now? Have I missed the interest boat? Let me know.

Wednesday, May 15, 2013

Fairy Tale Roundup: Cinderella Movie, Snow White and Rose Red, English Censorship, Werewolves vs. Little Red, and the OUAT Wonderland Trailer



Catching up in the fairy tale world, here are several highlights from the blogosphere!

1) Robb Stark is cast as Prince Charming in the Kenneth Branagh/ Cate Blanchett Cinderella
Intreguing. Very promicing that he is much more than just a pretty face. And Cate Blanchett as the stepmother is phenominal. Kenny directing? Not sure. There are few films he has directed recently that I have been thrilled with. Sure, Much Ado, Henry V and Midwinter's Tale are amazing! But after that, his movies seem to tip from passionate realism into melodrama. Love's Labor's Lost was charming and had some excellent moments, but a bit ridiculous, and Thor was interesting, but certainly not all that it could have been. Hopefully he will do what he does best: keep the camera rolling and let the amazing actors loose to do their thing.

Don't forget, this was the Cinderella Mark Romanek (dir. Never Let Me Go) was going to direct before his concept was deemed too dark for Disney. Let's hope Ken doesn't swing in the opposite direction. Or at least sticks to his artistic guns and does not pander to Disney execs.

2) Snow White and Rose Red by Kelly Vivanco
Kelly Vivanco, one of my favorite artists, has written and illustrated an adaptation of one of the strangest and most interesting fairy tales, Snow White and Rose Red. She has a way of capturing a question in a painting. You are always compelled to ask "Why?" There is a fox in a top hat. Why? There is a girl sitting in a field with flowers, but she doesn't look happy. Why? Click here for more of her beautiful work.

3) Tales of Faerie has recently come out with two excellent posts. The first one, When Grimms' Fairy Tales Came to England,  is about how the English, nostalgic for "authentic" old traditions and values in the throws of the industrial revolution, took the Grimm's fairy tales and adapted them for 19th century England, cleaning up the morals, making them appropriate for children, and emphasizing the often false idea that the tales were collected from folksy German peasants.

The second, Werewolves and Little Red Riding Hood, is an exploration of the relationship between werewolf legends and Little Red Riding Hood tales. She draws connections between tales of werewolf trials in the 15th, 16th, and 17th centuries and the folktales of the little child accosted by the wolf in the same towns a century or two later. She examines common elements of those tales and extrapolates on their meaning, free from any morals or edits Perrault may have imposed.

4) Lastly, we finally have a trailer for Once Upon a Time in Wonderland, and you know what? It looks pretty good!


It begins by embracing the darker traditions of the Alice in Wonderland story that have sprung up in popular culture and analysis, exploring the idea of Alice's madness. I love that it is taking a darker route. I am a bit confused by the genie, and how that fits into Wonderland, and the CGI looks mostly pretty sub-par as I feared, but overall, I'm excited!

Wednesday, April 10, 2013

TV: OUAT Spinoff of Alice in Wonderland to feature Paul Reubens

Wonderland catapiller s01e17 600x337 ONCE026: Hat Trick full discussion

First, OUAT has a spin-off, apparently called Once Upon a Time in Wonderland (according to IMDB). Deadline states:
 "[The series takes place before the curse in Wonderland] The story is told through the point of view of Alice (Sophie Lowe) who has a generous heart but carries the scars of a long hard life. She is joined by Cyrus (Peter Gadiot), Alice’s love interest, and the Knave of Hearts (Michael Socha), a sardonic adventurer."
It will be lead by Ralph Hemecker, who directed some of the more interesting and meaty episodes of OUAT like "7:15am," "Hat Trick," "Broken," "Queen of Hearts," "The Miller's Daughter," and "Selfless, Brave and True." It will also be executive produced by Jane Epsenson, whose episodes of OUAT are some of the best written of the series.

Second, they have cast Paul Reubens as the White Rabbit.

Now, I have concerns. OUAT is known for it's shitty CGI, and it appears this series will take place in the green screen Barbie Palace that was Wonderland. Also, even though I watch it every week, OUAT is an incredibly uneven show. I worry that they are trying to capitalize on it's popularity, will spread themselves too thin, and not concentrate all their resources on making OUAT live up to it's potential consistently week to week and moment to moment. In addition, no one has got it right yet (at least in recent years). All the fairy tale shows and movies of recent years have had problems. None have solidly delivered a satisfying, quality fairy tale adaptation (whereas there are thousands of satisfying book adaptations. Take the hint, Hollywood and do what you do best. Adapt a book).

However, this team is definitely intriguing and I am looking forward to seeing where this goes! Especially alongside the sexy CW Wonderland tv show. With all the books being made into TV shows in the Fall, we could be looking a literary shitstorm, or a heyday for TV and books.


Tuesday, April 9, 2013

Roundup: Sleeping with the Beast, Disney and Gender Roles, and Why Hollywood Can't Get it Right

“La belle et la bete” by Julie Faulques
La belle et la bete” by Julie Faulques

Hello Ladies and Jellyspoons!

This month has been crazy, so I have not had a chance to write as often as I like. Once May begins, everything should calm down, and I will be able to post more regularly. In the mean time, I give you a quick round up of fairy tale ephemera and news that has peeked my interest!

Jack Zipes on Disney's Snow White
Tales of Faerie takes on fairy tale scholar Jack Zipes, rebutting his view on Disney's Snow White. It chronicles a history of the film, lists what Disney changed from the original tale, and tempers Zipes' strong opinions on gender roles with a more middle of the road approach:
"I always come back to the fact that-whereas suppression of women was a real problem in the past, we can be grateful we live in a time where there is much more freedom for each gender to break beyond stereotypes. We don't have to resort to the opposite extreme and see all stereotypes as evil. I personally am not bothered by female characters who do housework. I currently earn my own living as well as taking care of my home, and it just doesn't occur to me to get offended."
I certainly enjoy traditionally female gender role activities as well as non-traditional ones. I feel it is just as limiting to say that women should not be seen cooking and cleaning as it is to say that they should only be seen cooking and cleaning. Thoughts?

Why Can't Hollywood Make a Decent Fairy Tale Movie?
Charlie Jane Anders at Io9 examines what he believes the recent fairy tales are missing. He explores the modern films that have flopped and the older ones (like Disney) that have stood the test of time and he finds those that last have "a sense of sincerity and good humor." Disney felt fairy tales should have this formula:
"To captivate our varied and worldwide audience of all ages, the nature and treatment of the fairy tale, the legend, the myth have to be elementary, simple. Good and evil, the antagonists of all great drama in some guise, must be believably personalized. The moral ideals common to all humanity must be upheld. The victories must not be too easy. Strife to test valor is still and will always be the basic ingredient of the animated tale, as of all screen entertainments."
Anders feels that modern fairy tale films "turn the strife into CG and the valor into banter." They are lacking that heart and sincerity that make us so attracted to things like The Princess Bride. Anders feels it is the perfect time for fairy tales because "fairytales become more relevant when people feel powerless — many of us actually are in the position of having made bargains with entities whose true names we're not allowed to know, thanks to the magic of mortgage securitization. At the same time, we still dream of being lifted up from our drudgery to noble status — and we dread having everything that makes us part of middle-class society taken away, if we fall through the cracks the way so many people have."

Perhaps the sincere story is what we need right now, without all the wink-wink, nudge-nudge that post-Shrek Hollywood thinks is necessarily for success.

Villeneuve's Beauty and the Beast: To marry or to sleep with?
Tales of Faerie challenges Jack Zipes again, this time on his translation of the "original" Beauty and the Beast tale (a novella by Madame Gabrielle de Villeneuve). She compares the original french to his translation. Zipes tells the story with the more well-known formula, where each night the Beast asks Belle to marry him, and she refuses. In the French version, however, it seems he was asking her each night to sleep with him. Which actually makes a lot more sense to me:
"Ce charmant spectacle ayant suffisamment dure, la Bete temoigna a sa nouvelle epouse qu'il etait temps de se mettre au lit. Quelque peu d'impatience qu'eut la Belle de se trouver aupres de cet epoux singulier, elle se coucha. Les lumieres s'eteignirent a l'instant. La Bete, s'approchant, fit apprehender a la Belle que de poids de son corps elle n'ecrasat leur couche. Mais elle fut agreablement etonnee en sentant que ce monstre se mattait a ses cotes aussi legerement qu'elle venait dele faire. Sa surprise fut bien plus grande, quand elle l'entendit ronfler presque aussitot, et que par sa tranquillite, elle eut une preuve certaine qu'il dormait d'un profond sommeil."
Strangely, it is not even "sleep with" in a sexual sense. He just wants to lay next to her, and when he does, he falls right asleep. It is kind of sweet, actually!

I will have a Once Upon a Time Review Dump coming soon!

Wednesday, March 20, 2013

Radio: NPR's On Being with Maria Tatar



While I often post about radio interviews with fairy tale experts, few of them come close to this NPR interview with Maria Tatar. In the NPR series, On Being, which explores the big questions in human life, Tatar explores the world of fairy tales with Krista Tippet, an excellent and incredibly knowledgeable interviewer. They discuss the origins of fairy tales, the structure of fairy tales, fairy tales in popular culture, and fairy tales and children, all topics we have heard before, but they bring an immediacy and relatability to the discussion, bringing everything back to the big ideas we explore in our lives. (Click Here to Listen)

They discuss the idea of "Once Upon a Time," and how that phrase gives us permission to explore, to do things you would be afraid to do, to question things you wouldn't normally question because you are in a new and theoretical place.

They explore the "operatic beauty and monstrous terror" and the promise of "Happily Ever After" that combine to create fairy tales. The "Happy Ever After" is important, because it promises that there will be a way out. This, Tatar says, is why we can read them to children. No matter how dark it gets, there will be a happy ending.

Maria expounds upon her idea that fairy tales are not sacred texts. They are part of the "great cauldron of story." There is no original version, and each generation and culture changes the tale to speak to what they value and fear.

She states that there are no morals to fairy tales. The morality is highly ambiguous. However, there is wisdom to be gained from the tales. They discuss big ideas: sexuality and innocence, poverty and wealth, action and inaction, etc. She laughs that, in our modern cultures, we adapt the fairy tales so that we befriend the monsters, rather than defeating them. Fairy tales allow us to explore our values and ideas in a safe place.

She reflects on the fact that fairy tale themes are everywhere, in reality TV, Sex and the City as well as the fairy tale themed tv shows. Fairy Tale tropes are so entrenched in our culture, so primal, that they pop up in almost all of our stories. She feels that, in this time of great transition, we need the ancient wisdom of old stories to guide us, make us feel rooted.

She also discusses the very personal power of fairy tales to help you face your inner and outer demons. They are full of mysteries and puzzles that fascinate our brain that we use to help us figure out the world.

She tells of how she asks her students what books from childhood they brought to college. Most of the students don't remember the exact plot of the stories very well, but they always have a nugget of story that they cling to, something they strongly related to, a talisman they carry with them into this new place.

Finally, they talk about children, and how the liminal moment of bed time is a perfect meeting of generations, where those carring the nostalgia of fairy tales meet those who are hearing them for the first time. It is a co-storytelling, a time for asking questions and exploring what ifs, and what the story means for the world, and if it means anything at all.

It is an excellent interview, well-crafted and personal, bringing out the intimate and human nature of fairy tales.

And it ends with a clip from Game of Thrones, which is a mark of excellence in my book.



Monday, March 4, 2013

Movies: NPR's Bob Mondello on Fairy Tales for Millennials and Upcoming Adaptations

Molly Quinn in Hansel and Gretel get Baked

Bob Mondello over at NPR examines the new fairy tale movie adaptations that cater to teens and young adults coming out this year. He remarks upon Jack's lack of initiative in Jack the Giant Slayer, possibly commenting on or catering to the image of the millennial generation (I do not necessarily subscribe to this stereotype, being a cusp of millennial myself). They don't take destiny into their own hands, like Jack from the original tale, but are swept up in events beyond their control. This is perhaps appropriate for teens and young adults entering a work force that has no jobs for them:
"At age 6, as Disney long ago established, abandonment by your parents is terrifying. So is illness, so is the unknown, and so is that scary old dude down the street. But when you're 20, there's a whole new set of fears — fear of commitment, fear of getting pregnant, fear of unemployment. Or maybe of getting busted for drug use.
In the upcoming Hansel and Gretel Get Baked, a witch lures teens with marijuana, then eats them to stay young. It's a horror movie — clueless teenagers getting in trouble because they're clueless teenagers, just going with the flow, passively.
That's different from the more active tykes who populate storybooks. In the old English folk tale Jack and the Beanstalk, Jack is maybe 12, and a schemer. He steals gold from the giant, chops down the stalk, killing the giant, and lives happily ever after with his stolen gold. I'll leave it to parents to find a moral in that, but at least he went up the stalk on purpose; it was his idea.
In the new movie Jack the Giant Slayer, Nicholas Hoult is playing Jack as a 19-year-old who's kind of a slacker and is trying to impress a girl when the beans sprout under him and he gets carried up to Giant-land very much against his will. Once there, he proves less incompetent than you might expect, but he's basically reacting to things, not making them happen.
The girl is the one who's looking for adventure, though for plot purposes — she is a princess, after all — she'll spend most of her time getting rescued.
There's no real "risk" in any of this. The Brothers Grimm wrote stories that were actually grim — designed to scare children. Hollywood's new grown-up fairy tales may quicken your pulse a little, but they're centrally soothing. Yes, there's an army of giants coming, but pluck and optimism will carry the day — a reassuring thought if you're a 20-something and staring nervously at an uncertain, recessionary future. It's especially reassuring if that thought is couched in a fairy tale so familiar and comforting, you've half-forgotten it. So get ready for lots of grown-up bedtime stories."

He also updates us on the upcoming fairy tale movies:
"I was going to say we're not in Kansas anymore, but we kind of are. There are nine — count 'em, nine — Oz movies currently in the pipeline, including the prequel Oz: The Great and Powerful, a story involving Dorothy's granddaughter that's just called Oz, and a martial-arts oriented Oz Wars. Also dueling Pinocchios, from Guillermo del Toro and Tim Burton, the horror-masters behind Hellboy and Beetlejuice. Not to mention Angelina Jolie assaying the title role in Maleficent, which tells the Sleeping Beauty tale from the evil stepmother's point of view."
 NINE???? NINE Oz movies. Geeze, think of something original, people.

Monday, February 25, 2013

Books: YA Fairy Tale Reads from The Hub

Ladies and gents, many of you may know that in one of my lives, I am a YA librarian. The Hub is a fantastic blog that keeps me stocked with really awesome, high-quality YA books, recommended by both librarians and very articulate teens. Today, they gear up for "Fairy tale day tomorrow" (Is that a thing? Like Margarita Day?), by giving us some of their favorite fairy tale mash ups, and to my delight, I have read only two of them (Book of Lost Things is fantastic!)


book of lost things
"The Book of Lost Things by John Connolly (2007 Alex Award winner)
Set during WWII, The Book of Lost Things tells the story of David, a lonely and grieving boy who is drawn into the dark space between fantasy and reality. When he ducks into a dark crack in the garden wall while avoiding a bomber overhead, he’s sucked into another world, one where the characters from his favorite books are real. The world is being held hostage by a missing king with secret book, and David must find the king and the Book of Lost Things before he can return home. Familiar characters like Snow White, Red Riding Hood, and Rumplestiltskin are given new, often nightmarish life, in this Alex Award winner.
 kill me softly sarah cross
Kill Me Softly by Sarah Cross
Mirabelle Lively is a sheltered girl. Her guardians won’t talk to her about her parents or the way they died. Sick of half-truths and desperate for anwsers, Mirabelle runs away a week before her sixteenth birthday. Her destination is Beau Rivage, the town where she was born and where her parents lived and died. When she reaches Beau Rivage, Mirabelle finds a place that’s even stranger than she could’ve imagined. In Beau Rivage, fairy tales are real, and the stories are played out over and over again. Mirabelle has a part to play as well, but when she begins to fall for a boy who’s not the smug prince she’s destined to end up with, her feelings threaten the very existence of Beau Rivage and all who live there.
 Into the Wild Sarah Beth Durst
Into the Wild by Sarah Beth Durst
All her life, Julie’s heard stories of the Wild, the land her mother escaped from before Julie was born. Julie’s mother is Rapunzel, she of the long hair and the high tower. Rapunzel’s history in the Wild has been nothing but stories — until Julie gets home from school one day and her mother is gone and her house is disappearing into a deep forest. As the Wild threatens to take over her hometown, Julie ventures deep into the woods, determined to save her mother. On the way, she meets familiar fairy tale characters like Cinderella as well as characters from less well-known tales.
 Tale Dark and Grimm GidwitzIn A Glass Grimmly Gidwitz
A Tale Dark and Grimm and In A Glass Grimmly by Adam Gidwitz
Gidwitz’s wonderful Grimm series is technically middle grade, not YA, but it’s a funny, wry mash-up with enough dark and gory moments to appeal to teen readers too. Hansel and Gretel are the stars of this story, but their quest takes them through eight other fairy tales, originally recorded by the Brothers Grimm and repurposed in all their bloody detail by Gidwitz. The sequel, In A Glass Grimmly, borrows from Jack and the Beanstalk, the Little Mermaid, and more.
 Enchanted
Enchanted by Alethea Kontis (2013 Best Fiction for Young Adults Top Ten)
And finally, the book that inspired this post. I read Enchanted for the 2013 Hub Challenge, and I adored the cleaver way Kontis weaves together elements of familiar fairy tales into something new. Sunday Woodscutter is the seventh daughter of a seventh daughter, and like her siblings, Sunday is not even close to normal. Still, she manages to live a pretty normal life — until she meets a talking frog in the woods who turns out to be not a frog at all. Her kiss turns him back into a human, setting off a romantic adventure that features elements of at least half a dozen different fairy tales. The frog prince makes an appearance, obviously, as does Cinderella’s dropped slipper, Jack’s beanstalk (complete with fearsome giant), the old lady who lived in a shoe and many more." (Click here for Full Post)

Wednesday, February 20, 2013

Article: 10 Children’s Stories Guillermo Del Toro Needs to Adapt

This is an older article from the discerning folks at Flavorwire, but still very relevant! It seems that we are in an age where if you are a book, you need to become a movie. If you are a play, you need to become a movie. And in the case of something like The Producers or Hairspray, you need to be a movie, then a play then a movie of the play version. It was recently annouced that Guillermo del Toro was adapting The Secret Garden for the screen with screenwriter Lucy Alibar (Beasts of the Southern Wild). This lead to Flavorwire creating a top 10 list of children's stories they would like to see del Toro adapt. As we continue the fairy tale movie adaptation extravaganza of the past few years, (del Toro is also adapting Beauty and the Beast),  Flavorwire adds some alternative, and very exciting fairy tales to the list! Since del Toro believes that children's stories should “actually try and create a sense of darkness,” these would be perfect for him. (Complete post)

From the list:


Baba Yaga
"THE STORY: A recurring witch-like figure in Russian folklore, Baba Yaga, lives in the forest in a wooden hut standing on top of giant chicken legs and surrounded by a fence of human bones and skulls. Not content to be like other witches, she flies around in a mortar (using a pestle as her rudder, a broom to sweep away her tracks) and is not entirely good, nor evil, and is as prone to kidnapping children as she is to helping wandering souls.
WHAT DEL TORO SHOULD DO WITH IT: Baba Yaga’s living arrangements and mode of transportation alone are the kind of thing you wouldn’t be surprised to find in a del Toro movie. If he makes children the protagonists and keeps Yaga her morally ambiguous self (maybe less kidnapping, more tenuous team-up) this could be a good chance for him to make his own unique witch story and/or Hansel and Gretel reinvention. Because someone has to wipe Hansel and Gretel: Witch Hunters out of our minds."



The Red Shoes
"THE STORY: A spoiled and proud little girl gets fancy red ballet shoes that she refuses to take off in inappropriate places. As punishment when she starts to dance she can’t stop. Her adoptive mother dies, she injures her legs, an angel sentences her to dance forever even after she’s dead, and she has her feet chopped off to no avail. But she finds religious humility in the end, and it all works out.
WHAT DEL TORO SHOULD DO WITH IT: It might seem intimidating to share film title and inspiration with a Michael Powell and Emeric Pressburger movie. Like The Archers’, del Toro will also have to find a way to navigate away from the basic repetitive “girl can’t stop dancing, just like Kevin Bacon in that Footloose scene” nature of the story. The overt religious message (she’s basically punished for wearing gaudy shoes in church) might need to be tempered too – though one can’t help but imagine the Angel of Death from Hellboy 2 being the one visiting the girl." 

 
The Wild Swans
"THE STORY: A witch marries a widowed king and proceeds to turn her eleven stepsons into swans and gives them the boot. She tries to turn the sister into a swan too, but it doesn’t work because she’s too good, so she has to settle for banishment. Her brothers whisk her away where she meets a fairy queen who tells if she takes a vow of silence and knits nettles into shirts, they’ll help her siblings become human again. A king falls in love with her, she’s suspected by his archbishop of being a witch, she’s almost burned at the stake, but then manages to finish the shirts in time to save her brothers and herself.
WHAT DEL TORO SHOULD DO WITH IT: We’re not even sure del Toro would have to do much here since it’s already so clearly right up his alley. Give it a modern setting in the same way he fused fairy tale with Franco-era Spain in Pan’s Labyrinth, tinge the whole thing with a bit more darkness, and you practically have a kind of spiritual sequel to Pan’s."




Tuesday, February 19, 2013

OUAT Review Dump

Ladies and Jellyspoons, I apologize for getting so behind in this! I just closed my play, and I am now all caught up on our beloved and frustrating Once Upon a Time. Some of these episodes are vague, cloudy memories for me by this point, but I will do my best to re-recreate the joy and rage I felt when I first watched them.

The Cricket Game


Gah! Heart-wrenching for Regina! She goes to the Snow and Emma welcome back party, and even though she saved them, and made it possible for them to come home, she is shunned and attacked. The conversation between Emma and Regina outside the diner was beautiful, and when Regina apologized for snapping at Emma, I just...oh the feels. I was so proud of her in this episode! She tries so hard. She keeps calm under pressure, she does not succumb to violence (until the end). She has some eeexcellent snark ("You got your PhD from a curse," "Because you know so much about parenting from the five minutes you've been with him," "Glad to see the sheriff's station is now a family business.") She follows what the law requires. And still, the town smacks her down. Understandably, since the evidence was stacked so high against her. (PS, did anyone else side with Regina about the doctor/ patient confidentiality thing? Bad form, Dr. Hopper).

While I sometimes love the Fairy Tale Justice in this small New England town, I am not cool with everyone deciding to kill Regina. In fact, there's a lot of group-think Killing People Will Solve All Our Problems in these episodes. Not cool, Storybrooke.

Loved the Snow and Charming sex scene, and how they still have a chance to emotionally scar their daughter.

Io9's review

The Outsider


(created by Frambouaz)

In which Belle has adventures and takes some really really stupid risks. I love Belle. She has some beautiful exchanges with Rumple this episode. The scene on the boat where she convinces him not to beat Hook to death is perfection! However, man, that flashback. Don't get me wrong, I was glad to see that Belle was fulfilling her dreams and using her brains to solve problems and vanquish beasts. However, she approached the fire cat without a weapon. Twice. The first time, definitely without a plan. Also, I did not see why she needed to change into the boobalicious adventure outfit to do it. As we see later with Jack, apparently women cannot have adventures in pants without their boobs spilling out all over the place. Unless you wish to distract your enemy with breasts, it is not a practical adventuring outfit. I do not fault Belle for this, as it is clearly a costumer fetish.

Also, did anyone else say, "Belle, do not go on to the boat that you can't see with a gun you have never used before? You have no idea what threats you will face. This is stupid and reckless." Yes, I know we are supposed to see from the flashback that she is capable of taking care of herself, but something about her bearing and her choices and her baby-deerishness on the boat make me highly frightened for her well-being.

The ending scene across the town line was heartbreaking. After all of Belle's devotion and love, which gave Rumple the strength to be a better man, all of it is gone in an instant. It was kind of satisfying to watch Hook get hit with a car, though.

Also loved Archie's funeral. I had worried they'd actually killed him because he was a disposable minor character (which I highly disagree with). I'm glad they gave him a proper, if premature, send off. I am a little irked that, after he reveals to Emma and Henry that he was alive, he disappears for ALL THE EPISODES. Not even a cameo. Archie, you are no longer needed as a plot device, so we will completely ignore your existence or the ramifications of your kidnapping.

And Henry, make up your mind. You always knew Regina was evil, you love her, you are creating an arsenal in case she attacks, you always knew she was innocent. Some consistency, please.

Io9's Review

In The Name of the Brother

(created by frekkenbok)

Ugh. I so wanted to love this episode. I am fascinated by Dr. Whale, and I love Frankenstein. However, here is my bone to pick with you, Once Upon a Time. You are all characters from books, yes? This is the world you have created, the rules you set up. Fairy tales were easy. There are so many gaps in fairy tales. All you need to do is have the basic symbols of the fairy tale: Cinderella, the shoe, the fairy godmother, the ball, the prince. Little Red, the wolf, the grandmother, the red cape. Snow White, the apple, the mirror, the stepmother, the dwarves, the kiss to wake her (Or dropping her to wake her). However, when you venture into novels, like Peter Pan, Alice in Wonderland, or Frankenstein, you have a hell of a lot more content to address. Snow White is an archetype that can be filled with anything you want. Hook actually has a fully fleshed out character. So does the Mad Hatter. Neither have back stories, so you can certainly take liberties up to that point. However, we know the entirety of Frankenstein's story, from his birth to his death and beyond. It is really fascinating stuff, all about personal responsibility. And Once Upon a Time used none of it. Absolutely none of it. He put life into a corpse, and there the resemblance ends. I thought the rules established in this world was that the books were written representations of the lives of these characters that live in the other universe of Imagination. The books may leave out information, but they aren't completely wrong.

My BF and I had an debate about this. He thought that it was ok for OUAT to change the story to fit the needs of the show. I would agree with that a little if I felt that 1) the story they told had value to the overarching OUAT plot line, and 2) it was saying something that could only be said without using the book. The pain and fear that Frankenstein goes through in the book, the idea that something he created or gave life to caused so much damage is a PERFECT parallel to what is going on with the Stranger. If he saves the Stranger, if he gives him life, the stranger could destroy the town.  Second, the main theme of Frankenstein is that he avoids responsibility, which causes destruction. That is exactly what he is doing in Storybrooke. He doesn't want to be responsible for this man's life or death so he runs away. He is reliving the fears and mistakes that lead to the most horrible chapter in his life, which he cannot deal with so he tries to commit suicide. This story, to me, seems so much more interesting than "I am not good enough for my father and cannot do anything right in his eyes so I will resurrect my brother and I can't even do that right, and now I am unsure of my skills as a doctor all of a sudden." </rant>

Anyhoodle, I loved the Monster to Monster chat. I hope they do more with Ruby and Whale's relationship that they started setting up in Season 1! I hated the fact that, again, the solution everyone seems to agree upon is, "When in doubt, kill someone." Loved the "We are not a group sheriff" line, because it was oh so true. Was really wondering what happened to Emma's Lie Detector power that only turns on when convenient to the plot? (Gif set of examples) Loved that Regina remained strong in the face of her mother...for like 5 seconds, and now I have no idea what happened to the Regina we have been developing this entire season, as we will see later.

Io9's Review

Tiny


I tend to agree with Io9 a bit that this episode held the very best and very worst of what OUAT has to offer. Not "Dreamy" worst, but a flavor of that. As much as I love love love Jorge Garcia (he is my favorite Lostian), this flashback felt like filler. The two things that came out of it were 1) Jorge Garcia in Storybrooke (yay!) and 2) Magic Bean. Now the BF gets on me about making judgments about the importance of things before we see the entire arc (and I am desperately trying not to do that with Regina, see below), but I do not foresee anything aside from those two plot points having any effect on later plots. It seems like OUAT is killing time with flashbacks, rather than using them to inform current events in a meaningful way.

Let us now talk about Regina, who is evil again. Cuz of mom. And she wants Henry back. Which bothers the crap out of me. Legally...LEGALLY, she still has custody of Henry. Emma has no case in Storybrooke for keeping him. It is only because of past wrongs and Fairy Tale Justice (rather than small town law) that keeps them apart. I nearly screamed at the TV when Snow said Emma didn't have to check with Regina about taking her son out of town. YES SHE DOES! Anyway....I do not like this weird amalgam Regina. She no longer has the full delightful evilness, but she does not have the struggling goodness either. She is kinda blandly in the middle. I am hoping this means that she is pretending to go along with her mother so that she can figure out her plan and then save the day in the last minute. The only real evil thing she has done so far is embiggen Tiny.

Speaking of not so evil things people have done, Snow says "Most people would let the giant die after what he's done." First, what has he done aside from throw some cars, and two, again with the KILLING!" What is up with this town?

Other things happening in Storybrooke are really interesting and meaty, though! Ethan Embry investigating the town weirdness and trying to find an ally in Belle. Belle out of her depth and pushing people who love her away (the chipped cup was heartbreaking). Charming and Snow ramp up the discussion of where "home" is. I can't wait to see that conversation develop and bear fruit. And Emma, Henry and Rumple go on a road trip! So good! The episode breathed, and talked about real things, and you could see their relationships changing and developing. You saw Rumple vulnerable and scared and still pushing through. You saw Emma taking care of Rumple as she would a father in law (spoiler alert). So much tasty stuff in there! And that final panic-inducing push into Rumple's face as the plane took off. FANTASTIC.

Io9 review


Manhattan

(created by goshdarncute)

I KNEW IT! I KNEW Neal was Bae. SO awesome. The writing in the scenes between Neal and Emma and Rumpelstiltskin was really sharp. No one let anyone get away with anything, there were no easy solutions, everyone fiercely went after their objectives. Great work. Great payoff. And not only does Neal have a son, Rumple has a grandson whom he has previously threatened, but also built up a relationship with. More responsibility and family for a man who has been defined by his familylessness. Now, he will have to decide to accept the prophecy and let it pass, or to interpret "He will be your downfall" not as "he will be the reason you are taken down by Regina" or "if you kill him everyone will kill you," but as "I must dispose of the boy before he kills me." You would think he would learn by now not to take much stock in what you assume a prophecy to be.

I do agree with Io9 that the Pinocchio box reveal was pretty lame. All he needed to do is say "I know you are Baelfire." He did not need to write it down and reveal it dramatically. I was hoping for something bigger and better than that. Perhaps having to do with another theory that I have (which I will save for the end of this).

In Flashback Land, Rumpelstiltskin's wife is crazy. She clearly has multiple personalities or something. We see her in one scene saying that he shouldn't go off to the war and get killed because he is afraid of being a coward like his father. In the next scene, she is screaming at him for coming back to her and being a coward like his father. Is this the same character? What is happening? While I was not pulled by this flashback as I have been for others, Robert Carlysle is an amazing actor, the seer's make up was really cool, and it did solidify Rumple's devotion to Bae, even if he allowed it to get clouded by magic later.

And in Storybrooke, Hook is useless. He is not doing anything. He has had his revenge by taking Belle away from Rumple. Does he want more revenge? Why is he still here? He is there to make awkwardly threatening sexual statements and be the eye candy in the evil trio. And I do not like Cora with her hair down and her slim suits. It feels, and maybe this is on purpose, that she is trying to be like Regina so that Regina will like the "new Cora." The "not dressed in fairy tale clothes that reminds us of all the baggage we have" Cora. "The Hip New Mom" Cora. Also, Regina is getting lazy. She does not want to walk across a room and rummage through someone's purse manually anymore. She needs to conveniently make a big magic show for no one so Ethan Embry can record it on his phone. (PS, please let Stranger plot line pay off well!)

Did anyone else think that if Rumpelstiltskin had given Belle the dagger for safekeeping, he would not have given her a map to it? He would have just said, "Here, hide this in a safe place where no one will think to look," not "I have hidden my dagger. Here is a map to where it is in case.... I need you to get it? I want you to keep a map in a place where you need to carry around a reminder to where it is at all times, rather than just remember it so that it is very easy for someone else to find." It seems so much simpler to have Rumple put it in a lead box and drop it in the bay. Here's hoping he was smart and the map is a giant trap for the evil trio.

So my further theory on Bae. We are seriously getting into soap opera territory here. I think Neal is not only Bae, but Peter Pan. Hear me out. By rights, Bae should be like 80 year old, at least. Bae was 14 (?) when he got sucked down the vortex. This was after Rumple became the dark one, but not long after. Then, Rumple trains Cora in magic. Then, Cora grows up, has her own kid, and Rumple trains Regina in magic. He creates the curse, and then we are in Storybrooke for 28 years, during which Bae was uncursed. Unless Bae went to another land where he did not age for many years, then came to our world around the time of the curse (so that he is now 42ish), there is no way he could look like Neal. It would be a great reason for Neal's playful and nomadic life in "Tallahassee," compared with his suddenly "I am an adult and I hate it" demeanor in the "Broken." It would also tie very neatly into the Hook plot and give Hook a purpose in the show again. How appropriate would it be for Hook's nemesis to be the son of Rumple and Mila, a reminder of everything he hates, and everything he loves, a conflict that jives very well with the literary Hook.

Io9's Review

Tuesday, February 12, 2013

Travel: A Fairy Tale Hotel



Flavorwire treats us to some fantastic hotels inspired by literature, from an Ice Palace, to a romantic couples themed hotel, to one organized by the Dewey Decimal System! The one we are chiefly interested in, however, is the Maison Moschino in Milan, Italy, a fairy tale themed hotel! While Flavorwire showcases the Alice in Wonderland room, I loved the Little Red Riding Hood Room with it's strange wolf in comforter clothing!

While the other rooms don't strictly reference any one fairy tale, their design evokes strong images that crop up on many:

Life is a Bed of Roses: 

Luxurious Attic (with magical secrets hiding in boxes):

The Forest:

Sleeping in a Ballgown:

Sweet Room (very Hansel and Gretel):


Blue:

Half a Room (a bit Alice in Wonderlandy too!):

Zzzzzzzzz:



Tuesday, February 5, 2013

Fairy Tale Catch Up: Bizarre Adaptations and Meryl Streep

Wow, guys. I have been in a black hole of putting up a play (come see The Pirate Laureate of Port Town if you are in the DC area!) We have finally opened, and now I can catch up on all the fairy tale news and ephemera that has been cropping up lately!

Click here to read <em>Hansel & Gretel</em> Is the Platonic Form of "So Bad It's Good"
Hansel & Gretel Is the Platonic Form of “So Bad It’s Good”
Io9 thinks Hansel and Gretel: Witchhunters is silly and fun! "If you're looking for a serious reinterpretation of the Hansel and Gretel story, this movie isn't going to cut it. Even the "dark" bits where the siblings try to figure out why their father left them alone in the woods are plain ridiculous. But if you want to laugh your ass off and see some witchslapping, it's the perfect thing. Gemma Arterton as Gretel is particularly adept at chewing the scenery in the most awesome way possible. What I'm saying is that you should turn your brain off and mainline some fairytale this weekend." I have yet to see it, but I must admit, I love the idea that Hansel now has diabetes from the witch candy and needs insulin shots. Honestly, I will see it for the fairy tale ass-kicking alone!


10 of the Most Bizarre Fairy Tale Adaptations
Flavorwire gave us a facinating list of strange fairy tale adaptations: Six-Gun Snow White, Catherynne M. Valente (set in the Wild West, and written by an amazing writer!), I Was A Rat!, Philip Pullman (about Cinderella's rat footman who didn't get turned back at midnight), The True Story of Hansel and Gretel: A Novel of War and Survival, Louise Murphy (Hansel and Gretel set in WWII), and more! Most of them seem pretty mainstream to avid fairy tale adaptation fans (like Anne Sexton's Transformations, and The Bloody Chamber by Angela Carter), but as widely read as those are, yeah, they are weird.



Adorable Gender-Swapped Fairy Tale Princes by Yudi Chen
Flavorwire, yet again, gave us this beautiful series of gender-swapped fairy tale art: a long-bearded Rapunzel, a merman saving an Inuit princess from drowning, a beastly beauty, a king jealous of his stepson, and several others that display a fresh look at fairy tales with surprisingly unforced tenderness.


Meryl Streep is a huge Witch in the Into the Woods movie
Meryl Streep is a huge Witch in the Into the Woods movie
WHAT? Amazing. She is simply in talks for the role, and this is by no means final, but Meryl Streep would play a fantastic witch in the Into the Woods movie. While I am still nervous about Disney doing my absolute favorite musical of all time, this seems to be a step in the right direction.